Albert Tay

Composer | Conductor | Educator

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Recent Musings

9 October 2021

Living with Endemic Covid-19 According to PM Lee

5 July 2020

Who Cares About the General Elections 2020?

14 June 2020

WOW! The Arts Are Essentially Non-Essential?!

18 June 2019

Protected: 20190619 國立台南大學音樂學系演講...

20 April 2019

A Tapestry of Sacred Music Arvo Pärt’s Passio: St John...

Albert Tay’s Dona Nobis Pacem by Faculty of the Kecskemét Kodály Institute, Liszt F. Academy of Music

Featured Work

https://youtu.be/fdEjFvHpdLE

Electronic

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    • Biography
    • Curriculum Vitae
  • Compositions
    • Choral Works
    • Instrumental & Solo Works
  • Events
  • Blog
  • Research
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What a wonderful concert!! No ego, no larger-than-life personalities, no gimmicks, no theatrical distractions… just a bunch of solid musicians letting the music speak for itself by performing with subtlety and sincerity. Such a refreshing, honest presentation in an epoch of celebrity/influencer-driven, distract-ears-with-eyes performances.
Am en route to recovery! 🥰
My first experience riding an ambulance during the weekend. Back pain level 9.9/10 from old dragonboat/basketball injury and couldn’t walk nor even sit up due to pain. Bedridden since Saturday morning and working on online lectures whilst lying down 🤣 (scolded by wife for overworking, but a commitment is a commitment!!)… but at least I could finally get out of bed today and walk. Wife and kids have been super duper sweet bringing me food, water, blankets, laptop chargers etc. Brother was cool fetching me back from hospital. Here’s some pictures to remind future self to take a break.
2021, I’m officially halfway to the grave 😭 so I guess I have some license for chiong hei (long-winded) gratitude posts. 🤣
Spreading some Christmas cheer through music at the office for the day! Merry Christmas everyone!! 🎄🧑‍🎄
My latest ‘exorcism’ choral work “Deus Omnipotens” was premiered on Friday night 17 Dec 2021 by professional choir The Renaissance Singers conducted by Maestro Toh Ban Sheng to a full house audience!! 🥰 Written during the 3-week long Choral Composers’ Seminar Singapore with advice from Maestro Eudenice Palaruan, it is one of my bravura choral works - i.e. for choirs/conductors with a high tolerance for pain singing/conducting technically and vocally challenging choral works 🤣 (but I assure you it gets easier after 40hrs of daily practice 😎).

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Composer | Conductor | Educator

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